Book Excerpt: The Orphan*s Tale by Pam Jenoff

Title:  The Orphan's Tale
Authors: Pam Jenoff
Publisher: MIRA
Release Date:  February 21, 2017 
Genre: Historical Fiction

The Nightingale meets Water for Elephants in this powerful novel of friendship and sacrifice, set in a traveling circus during World War II, by international bestselling author Pam Jenoff. 

Seventeen-year-old Noa has been cast out in disgrace after becoming pregnant by a Nazi soldier during the occupation of her native Holland. Heartbroken over the loss of the baby she was forced to give up for adoption, she lives above a small German rail station, which she cleans in order to earn her keep.  

When Noa discovers a boxcar containing dozens of Jewish infants, unknown children ripped from their parents and headed for a concentration camp, she is reminded of the baby that was taken from her. In a moment that will change the course of her life, she steals one of the babies and flees into the snowy night, where she is rescued by a German circus. 

The circus owner offers to teach Noa the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their unlikely friendship is enough to save one another—or if the secrets that burn between them will destroy everything. 

Germany, 1944
The sound comes low like the buzzing of the bees that once chased Papa across the farm and caused him to spend a week swathed in bandages.
I set down the brush I’d been using to scrub the floor, once-elegant marble now cracked beneath boot heels and set with fine lines of mud and ash that will never lift. Listening for the direction of the sound, I cross the station beneath the sign an­nouncing in bold black: Bahnhof Bensheim. A big name for nothing more than a waiting room with two toilets, a ticket window and a wurst stand that operates when there is meat to be had and the weather is not awful. I bend to pick up a coin at the base of one of the benches, pocket it. It amazes me the things that people forget or leave behind.
Outside, my breath rises in puffs in the February night air. The sky is a collage of ivory and gray, more snow threaten­ing. The station sits low in a valley, surrounded by lush hills of pine trees on three sides, their pointed green tips poking out above snow-covered branches. The air has a slightly burnt smell. Before the war, Bensheim had been just another tiny stop that most travelers passed through without noticing. But the Germans make use of everything it seems, and the location is good for parking trains and switching out engines during the night.
I’ve been here almost four months. It hadn’t been so bad in the autumn and I was happy to find shelter after I’d been sent packing with two days’ worth of food, three if I stretched it. The girls’ home where I lived after my parents found out I was expecting and kicked me out had been located far from anywhere in the name of discretion and they could have dropped me off in Mainz, or at least the nearest town. They simply opened the door, though, dismissing me on foot. I’d headed to the train station before realizing that I had nowhere to go. More than once during my months away, I had thought of returning home, begging forgiveness. It was not that I was too proud. I would have gotten down on my knees if I thought it would do any good. But I knew from the fury in my father’s eyes the day he forced me out that his heart was closed. I could not stand rejection twice.
In a moment of luck, though, the station had needed a cleaner. I peer around the back of the building now toward the tiny closet where I sleep on a mattress on the floor. The maternity dress is the same one I wore the day I left the home, except that the full front now hangs limply. It will not always be this way, of course. I will find a real job—one that pays in more than not-quite-moldy bread—and a proper home. 
I see myself in the train station window. I have the kind of looks that just fit in, dishwater hair that whitens with the summer sun, pale blue eyes. Once my plainness bothered me; here it is a benefit. The two other station workers, the ticket girl and the man at the kiosk, come and then go home each night, hardly speaking to me. The travelers pass through the station with the daily edition of Der Stürmer tucked under their arms, grinding cigarettes into the floor, not caring who I am or where I came from. 
Though lonely, I need it that way. I cannot answer questions about the past.No, they do not notice me. I see them, though, the soldiers on leave and the mothers and wives who come each day to scan the platform hopefully for a son or husband before leaving alone. You can always tell the ones who are trying to flee. They try to look normal, as if just going on vacation. But their clothes are too tight from the layers padded underneath and bags so full they threaten to burst at any second. They do not make eye contact, but hustle their children along with pale, strained faces.The buzzing noise grows louder and more high-pitched. It is coming from the train I’d heard screech in earlier, now parked on the far track. I start toward it, past the nearly empty coal bins, most of their stores long taken for troops fighting in the east. Perhaps someone has left on an engine or other machinery. I do not want to be blamed, and risk losing my job. Despite the grimness of my situation, I know it could be worse—and that I am lucky to be here.Lucky. I’d heard it first from an elderly German woman who shared some herring with me on the bus to Den Hague after leaving my parents. “You are the Aryan ideal,” she told me between fishy lip smacks, as we wound through detours and cratered roads.  I thought she was joking; I had plain blond hair and a little stump of a nose. My body was sturdy—athletic, until it had begun to soften out and grow curvy. Other than when the German had whispered soft words into my ear at night, I had always considered myself unremarkable. But now I’d been told I was just right. I found myself confiding in the woman about my pregnancy and how I had been thrown out. She told me to go to Wiesbaden, and scribbled a note saying I was carrying a child of the Reich. I took it and went. It did not occur to me whether it was dangerous to go to Germany or that I should refuse. Somebody wanted children like mine. My parents would have sooner died than accepted help from the Germans. But the woman said they would give me shelter; how bad could they be? I had nowhere else to go.

I was lucky, they said again when I reached the girls’ home. Though Dutch, I was considered of Aryan race and my child— otherwise shamed as an uneheliches Kind, conceived out of wedlock—might just be accepted into the Lebensborn program and raised by a good German family. I’d spent nearly six months there, reading and helping with the housework until my stomach became too bulky. The facility, if not grand, was modern and clean, designed to deliver babies in good health to the Reich. I’d gotten to know a sturdy girl called Eva who was a few months further along than me, but one night she awoke in blood and they took her to the hospital and I did not see her again. After that, I kept to myself. None of us would be there for long.  

Stay tune for my review on February 27!!



Photo by Mindy-Schwartz-Sorasky

Pam Jenoff is the author of several novels, including the international bestseller The Kommandant's Girl, which also earned her a Quill Award nomination. Pam lives with her husband and three children near Philadelphia where, in addition to writing, she teaches law school.

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  1. Very nice post.

    I really enjoyed this book, but I love all of her books. I always learn something new.
    Have a good week.

    Silver's Reviews
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